Makeup to how tos

Another page that looks like makeup eyes, lips, foundation, total look
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Makeup to how tos

When applying an ombre lip design with a full, dark lip liner, apply the lip liner first. Create shadowing by filling in the corners, as well as the lip line.
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Makeup to how tos

Monochromatic
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Makeup to how tos

Creative: Horizontal Ombre
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Makeup to how tos

Creative: Vertical Ombre
5

Makeup to how tos

Creative: Vertical plum and metallic

When applying an ombre lip design with a full, dark lip liner, apply the lip liner first. Create shadowing by filling in the corners, as well as the lip line.

2. Monochromatic

3. Creative: Horizontal Ombre

4. Creative: Vertical Ombre

5. Creative: Vertical plum and metallic


More Collections Like This One

The Geordie Blowdry Collection

The Geordie Blowdry Collection

Collection: Spring/Summer 2015
Angela Lowery, who hails from Newcastle Upon Tyne's Y salon, crafted The Geordie Blowdry Collection. The dramatic collection, which presents a range of sexy looks from Bardot to Mess Up, Pony, Braid, and Blowdry, is an extension of the original Geordie Blowdry.

The hair guru asks-when is too much too much? Never! These trendy, eye-catching styles are ideal for city girls-the movers and shakers among us. The buzzing nightlife scene in Newcastle and its shimmering city lights is what inspired this glam collection.

Embrace

Embrace

Collection: Spring/Summer 2015
The UK's Francesco Group Creative's hair talents yearned to create the Embrace collection to appeal to a wide client base-to women of all ages and all ethnicities.
The team was aware that as a high-end brand, it needed to do this in an ultra-luxurious way that would entice a multitude of beauties. Clean and polished, these striking looks certainly accent a variety of women.

Clean Cut

Clean Cut

Collection: Spring/Summer 2015
For the Clean Cut collection, Gregson Gastar of Australia's Gastar Hair drew inspiration from1920's style looks, but he updated the clean, crisp styles by using modern cutting techniques such as the undercut method.

To create versatility for the wearer, Gastar left an accentuated length on the top of the head. He artistically managed to maintain the clean lines that were prevalent during the 1920's by showcasing blunt edges.